I’m a 3D Artist specializing in cinematic and game pipelines. With 5+ years of experience in CGI and VFX production pipelines and 11 years in motion graphics and design, I oversee the full CG pipeline, from sculpting, modeling, and retopology to PBR texturing, look development, technical optimization, lighting, and compositing.

My work has contributed to major international projects such as Apple Vision Pro XR content or Disney+ productions. Holding an MFA in Computer Animation & Visual Effects from the Rome University of Fine Arts (graduated with honors) and advanced training at Généalogic-FX Academy (England). I deliver expressive, performance-optimized 3D assets that elevate storytelling and production value.

- Converted blueprints and concept art into accurate 3D assets with precise anatomy, mechanical detail and topology.
- Sculpted high and low resolution characters, creatures, and props.
- Prepared the texturing, surfacing and lighting phases across the full 3D pipeline.
- Built and maintained clean topology, efficient UV layouts, and optimized materials suitable for real-time rendering.
- Executed digital compositing and 3D Motion Graphic for cross-platform deliverables.
- Developed and optimized immersive 3D content for an XR app on the Apple Vision Pro.
- Integrated AI tools to accelerate concept development and reference generation.

- Executed compositing, camera tracking, match-moving, and rotoscoping.  
- Performed high-quality chroma keying and background removal on green-screen / blue-screen footage.
- Worked with 3D systems and CG passes to deliver high-quality visual outputs.
- Prepared, optimized, and rendered 3D props for integration into live-action and CG composite shots, ensuring consistency in lighting, scale, and visual fidelity.
- Colored match and grade elements to achieve seamless blending across the shot.
- Combined CG renders, live-action plates, and effects passes into one final image.

List under a dedicated “Streaming & Cinema” credits:
   - The Good Mothers - 6 episodes (2023)
  - For The Love of a Woman (2025)
   - C'è ancora domani (2023)
   - Sisters (2023)

- Translated concept art into accurate 3D sculpts and models, with exacting attention to anatomical/mechanical accuracy.
- Sculpted high and low resolution characters, creatures, and props.
- Developed clean topology, optimized UV maps, texturing, and performance-ready 3Ds.
- Animated characters using rigs (body mechanics, facial animation, lip-sync).
- Set up lighting that matches live-action plates (HDRI, on-set data).
- Produced digital compositing and 3D motion graphics for multi-platform delivery.

- Created 2D/3D animations, motion graphics, and product videos.
- Developed concept sketches and translated them into final design solutions.
- Designed logotypes and prepared full corporate identity systems.
- Produced visual and interactive design assets for digital and print media.

- Developed the institution’s visual style guide and artistic direction.
- Designed all graphic materials for marketing and communication.
- Led design reviews and critique sessions, elevating design quality.

- Planned and executed user experience and user interface designs for digital products.
- Designed visual and interactive components aligned with project goals and brand identity.
- Developed corporate identity assets for digital platforms.
- Produced videos, product presentations, and keynotes.

- Handled video post-production and animation for news and broadcast content.

Rome, Italy (2021-2022)
Genèalogic-FX Academy

Rome, Italy (2019-2022)
Rome University of Fine Arts

La Paz, Bolivia (2016)
Universidad Católica Boliviana

La Paz, Bolivia (2010 - 2015)
Universidad Católica Boliviana

La Paz, Bolivia (2007 - 2008)
Universidad Real

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